Table of Contents
Editorial
| Reaching Out: Improvisation’s Potential and Limitations | PDF HTML |
| Frédérique Arroyas, Ellen Waterman |
Articles
| “What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers | PDF HTML |
| Graham Lock |
| From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value | PDF HTML |
| Alan Stanbridge |
| The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education | PDF HTML |
| Kenneth E. Prouty |
Notes and Opinions
| Keynote Address at the Guelph Jazz Festival, 2007 | PDF HTML |
| Anthony Braxton |
| Pitch into Time: Notes on Anthony Braxton’s Lower Register | PDF HTML |
| Stuart Broomer |
| Steps Against Forgetfulness (Six of Them) | PDF HTML |
| Alain Derbez |
| Itutu ("On how to appropriately present oneself to others"): Extra-musical pedagogical values of creative music | PDF HTML |
| Alexandre Pierrepont, Pierre Carsalade, Romain Tesler |
Interviews
| “I Dreamed of Other Worlds”: An Interview with Nicole Mitchell | PDF HTML |
| Ellen Waterman |
Book/Media Reviews
| Cornelius Cardew (1936-1981): A Reader | PDF HTML |
| Ted Harms |
News and Announcements
| Call For Papers: Sexualities in Improvisation | PDF HTML |
| Critical Studies in Improvisation |
Critical Studies in Improvisation / Études critiques en
improvisation is generously supported by the Social Sciences and
Humanities Research Council of Canada (through both its Major
Collaborative Research Initiatives
and Aid to Scholarly Journals programs) and by the University of Guelph
Library.
ISSN: 1712-0624
ISSN: 1712-0624