Welcome to CSI/ÉCI
Critical Studies in Improvisation/ Études critiques en improvisation is an open-access, peer-reviewed, electronic, academic journal on improvisation, community, and social practice housed at the University of Guelph.
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Vol 4, No 1 (2008)
Table of Contents
Editorial
| Reaching Out: Improvisation’s Potential and Limitations |
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Frédérique Arroyas, Ellen Waterman |
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Articles
| “What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers |
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Graham Lock |
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| From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value |
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Alan Stanbridge |
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| The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education |
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Kenneth E. Prouty |
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Notes and Opinions
| Keynote Address at the Guelph Jazz Festival, 2007 |
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Anthony Braxton |
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| Pitch into Time: Notes on Anthony Braxton’s Lower Register |
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Stuart Broomer |
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| Itutu ("On how to appropriately present oneself to others"): Extra-musical pedagogical values of creative music |
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Alexandre Pierrepont, Pierre Carsalade, Romain Tesler |
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Interviews
| “I Dreamed of Other Worlds”: An Interview with Nicole Mitchell |
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Ellen Waterman |
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Book/Media Reviews
| Cornelius Cardew (1936-1981): A Reader |
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Ted Harms |
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News and Announcements
| Call For Papers: Sexualities in Improvisation |
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Critical Studies in Improvisation |
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Critical Studies in Improvisation. ISSN: 1712-0624