Confronting a Darkening World: AMM at 50 Years—An Aesthetic Memorandum

Eddie Prévost

Abstract


The origins of this piece are simple: it was meant as a note to the musicians (and perhaps the audience) taking part in a weekly London improvisation workshop I first convened in 1999. These sessions followed the principles, practices, and theoretical insights of AMM and led to a concert at the 2015 Huddersfield festival of Contemporary Music, a festival celebrating the 50th anniversary of AMM. Audience responses suggested that this piece merited a wider readership, and after reading the original draft through again, I realized that a wider historical perspective of AMM was warranted. This memorandum is my contribution to such a perspective.

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DOI: http://dx.doi.org/10.21083/csieci.v11i1-2.3720

Critical Studies in Improvisation / Études critiques en improvisation is generously supported by the Social Sciences and Humanities Research Council of Canada (through both its Major Collaborative Research Initiatives and Aid to Scholarly Journals programs) and by the University of Guelph Library.
ISSN: 1712-0624